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Introduction. Please note that most of these Brand Names are registered Trade Marks, Company Names or otherwise controlled and their inclusion in this index is strictly for information purposes only.

Triple Single Ended Amplifier Distortion in its purest, most natural form. The Palmer DREI design is more than just a visual extravaganza – it mirrors the concept and the circuitry. For the purest, most natural distortion only a single-ended design will do. Single-ended tube circuits are straightforward and simple, providing the most organic, raw tube sounds possible.

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And I thank Epiphone and Gibson for providing this forum. My Zehpyr Regent was produced in Korea at the Peerless factory. They did a fine job, the wood seems good but there is a little waveyness on the top bout where it flattens out, but it is ok for an instrument in this price range. It is a model, I bought it from a major act player who had only used it on a few sessions. He told me it rarely came out of the case and it was perfect, not a mark or scratch.

It had been setup by a tech to the stars here in Los Angeles, but I am going to have the same tech go over it again.

Like the GR, there are three versions of the G and G guitars, distinguished by changes to the PC board. I was contacted by a G player in the States and a G player in Norway both using the first run, early “prerelease” version of the guitar electronics.

Vocals, bass I sing, play bass, program the drums, and come up with the keyboard parts. My sister is 15, so I pretty much call the shots as far as business goes. I don’t really think in terms of gender when it comes to making art. Personally I like to look at this as an ongoing world-beautification project that everyone has a stake in, regardless of age, gender, upbringing, etc.

Yeah, I think that the 60s s provided us with female Superstars in all genres, I. You don’t really see that anymore, because the world is moving too fast for anyone to really latch onto anybody. It’s hard to say what’s valuable and what isn’t this early on, but I’m sure we’ll know pretty soon! Well, my sister plays guitar, and we kind of needed the other instruments to write songs, haha. Sofia Talvik Years playing: Acoustic Guitar, Piano “I’m a solo artist, but I have a backing band.


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December Guitar Player December Includes: Pete Seeger, Bola Sete, George Van Eps and the 7-string, A Night At The Fillmore, music by George Van Eps (“Midnight”), music by Pete Seeger (“Living In The Country”), Full page ads for VOX amps, GRETSCH guitars (Viking), SUNN amps, DANELECTRO (Coral Sitar, guitars, Turtles, the Cyrkle), Richie Havens for OVATION, HALLMARK .

Tweet on Twitter Studio work, ca. Actually, the person who has done more session work on electric bass than anyone else is a year-old grandmother whose primary instrument was a sunburst Fender Precision Bass with flatwound strings, and she used and still uses a pick. She was born in Everett, Washington, and her family moved to Wilmington, California, when she was a child. We started our talk with an inquiry about guitar, since Kaye was an accomplished six-string player before she moved to bass.

What got you interested in guitar? I grew up in a housing project during World War II. My parents were professional musicians, and when they divorced, my mother and I were left with no means of support, so I went to work at the age of nine, and when I was almost 14, paid for my own guitar lessons. My mother encouraged me to start guitar lessons.

I started on a small, rented steel guitar, then turned it into a guitar. My teacher, Horace Hatchett, was appalled, but he must have thought I had some talent. He taught many big pros then, and got me into playing jazz immediately. I helped him teach, as well, and was a professional at 14, playing Goodman Sextet-type jazz gigs around Long Beach.

I knew standard tunes, and played them jazz-style.

Gibson Brands Forums: Epiphone Zephyr Regent – Change pickup to 57 Classic? – Gibson Brands Forums

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Way back in the the early legend of guitar research, Michael Wright, published a short list like this in his book Guitar Stories Volume One. Many thanks need to go out to the main contributors to this list besides yours truly. These three guys are just so great for sharing what they know. So I really appreiate these fellers! As of late, the great Bill Menting has been filling in some of the missing information, and again, I appreciate it! Also, a million thanks goes to the excellent work of Michael Wright, who was writing and researching these guitars when people were just as likely to throw them in the trash.

I also want to mention the great site Jedistar. That fellow has done some really excellent work compiling all sorts of information regarding guitar brands from all over the world, both past and present. Now before all you curmudgeons and codgers start blasting away at the information compiled here, I want you to stop and think about my mission for a moment.

This is just to help people out, so maybe somebody can rediscover the guitar of their youth. Maybe someone can connect with that eager teenager that wailed away in a garage in the middle of nowhere. You get my drift? Yeah, I can be idealistic at times, so screw you!

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